CCR: Behind the Scenes

 

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CCR: Podcast

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Podcast Script:  Hello, welcome back to my podcast. Today I am discussing the film Cold Case. Cold Case is a new thriller movie about a group of teenagers exploring an abandoned ice rink and not making it out alive. Our first question today is; how does Cold Case engage with audiences.   The foundation of "Cold Case's" engagement lies in its ability to forge a deep, emotional connection with its audience. This connection is c reated through the film's focus on five friends exploring an abandoned ice rink, a premise that is both relatable and builds a potential for tension and horror. By choosing characters that viewers can see reflections of themselves in, the film allows you to put yourself into the situation of the characters . The horror and suspense are n’t just limit ed to the screen; they resonate on a personal level, tapping into the universal fear of the unknown.   Moreover, the found footage style of "Cold Case" serves as a powerful tool for imme...
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Production Blog: Beginning to Film

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 To begin the full group filming process everyone met up at Dania Pointe as planned. I coordinated schedules and times to accommodate everyone. Over the weekend on Saturday we all showed up at 11:00am. For today I decided to work on the second scene. The second scene consists of a split screen of the varying perspective of one side eating alone and one side eating with friends. So to set up I first had to find 2 separate areas of Dania Pointe to film. I walked around for about an hour scouting out filming locations. The first place I saw was a long strip of fake grass with a lot of tables around. I thought it would be a good place because it had a nice environment and background. The next area I found was shadowed and isolated. I thought that it would be a good idea to have our solo actor film there. I then walked around and found a couple of other spots but ultimately decided on the first two I found. After this I brought in the actors for the group scene. They all went and got ic...
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